Dr James Alexander Cameron

Dr James Alexander Cameron on top of the Wallingford Screen at St Albans Cathedral following the Saints in Colour project, Feb 2023.
Photo by Rev’d Jonathan Lloyd

Dr James A. Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the cathedrals, monasteries and parish churches of medieval England in their wider European context, and a keen user of technologies such as photogrammetry to relate them as artistic and engineering achievements to a wide audience.

James took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take postgraduate degrees at The Courtauld Institute of Art, London. His masters regarded late thirteenth to early fourteenth century painting in central Italy with particular emphasis on the artistic commissions of the mendicant orders, and his doctorate the phenomenon of sedilia in the medieval English Church, regarding both its liturgical and architectural aspects.

Since gaining his Ph.D., he has worked on freelance research projects for English Heritage (regarding new Battle Abbey site interpretation); the Burrell Collection (medieval architectural sculpture) and St Albans Cathedral (the “Saints in Colour” installation: an imaginative recreation of the original colouring of the medieval high altar screen, both historical research and practical/creative input on the final design of the projection, that ran Feb 2023 to Oct 2025). Since 2020 he has worked for Bill Harvey Associates on the design and authorship of masonry bridges on Britain’s railways, and in 2021 worked on-site aiding in the firm’s photogrammetry surveys of masonry bridges on the Warwickshire Avon, including the medieval Clopton Bridge in Stratford-Upon-Avon.

With shrine base of St Edburg, made for Bicester Priory c.1294 by a London court-school workshop, parish church of Stanton Harcourt (Oxfordshire), July 2025.
Photo by Bridget Swithinbank

Dr Cameron has numerous academic publications in journals and essay collections, has lectured widely at international conferences, taught and led seminars at undergraduate and masters level at The Courtauld, and lectured at the V&A Academy on medieval architecture and liturgy. James has given guest lectures on similar themes at the University of Cambridge (both at BA level and on the Building History MSt) and the University of Central Lancashire, Preston, as well as leading architectural tours for Martin Randall Travel and Villiers Park Education, Cambridge.

On the 700th anniversary of the failure of Ely Cathedral crossing tower, he guested on the History Hit podcast, Going Medieval. He has given lectures in St Albans Cathedral Church (Feb 2023), the Prior’s Hall at Durham Cathedral (Oct 2023) and the Town Hall, Glastonbury for the Glastonbury Antiquarian Society (Nov 2024).

I also (to break the third person!) maintain a high importance for creative public engagement regarding medieval church architecture, and work innovatively with technology wherever possible. There are links above to my 3D-rendered size comparisons of cathedrals taken from photogrammetry captures, and other weird COVID-era projects: like going through every single monastery in England dissolved under Henry VIII, and every medieval Latin-Church cathedral in Europe.

Any opportunities for writing, reviewing, consultancy, touring, 3D modelling/rendering, lecturing or, just banging on about anything really, to james@stainedglassattitudes.com will be gratefully considered.


Like any normal person over the last couple of years, I’ve totally binned the formerly-great academic contact point Twitter since it became “X” after the end of 2024.
I am still Posting about weird architectural stuff on the best alternative BlueSky now, so please follow me there if you’re interested in that sort of thing.